I had the pleasure of meeting Sandy Takashima Shaw, a kind and generous artist.
DECEMBER 13, 2017 from DISCOVERHER blog
Sandy Takashima Shaw sees art as a springboard for conversation. A lifelong painter, she studied fine art while majoring in business. She’s half Japanese and grew up in Ohio, so after graduating she moved to Japan to learn more about her heritage. She then traveled around Asia before moving to San Francisco to work as a marketing manager in the technology industry. After years of painting in the evenings, Sandy was able to quit her day job, travel the world and paint: her dream.
Now she lives in Aptos with her family, paints while the kids are at school, shows in galleries around the U.S., teaches art and does commissions for corporate clients (the SF Google office is her most recent). She still travels annually with her family to surfing destinations. AND, fun fact, she’s also a certified life coach!
Known for her vibrant, mixed media acrylics featuring hundreds of translucent layers of paint, Japanese rice paper and ink, Sandy’s main goal is to be completely authentic in her personal expression. She weaves a narrative throughout each series, with the intent that ultimately, her art stimulates meaningful connection. This can take the form of internal connection as well as an interpersonal dialogue. Some pieces uplift and inspire joy, while some ask the observer to pause and reflect, and some challenge the viewer to look at things from a new perspective.
“My goal as an artist is to create art to ignite positive social impact, thoughtful conversation, and meaningful connection.”
In her newest series, the ‘AND’ series, each painting represents an issue in our current political, social and cultural landscape. The word ‘and’ (or &) is prominently featured in each, always brightly illuminated.
Following the election of Donald Trump, Sandy took to her studio seeking healing. “I was filled with fear, upset, and mistrust with our world leaders.” As she began painting, spilling black tears and blood over a map of the world, she thought, “How can the world heal?”
“I believe the concept of the word ‘and’ is healing. It represents ideas such as inclusivity, acceptance, collaboration and it is expansive… The enlightened ‘AND’ is an invitation for the viewer to take a moment to step out of the chaos and feelings of despair to open their minds and embrace the ‘AND’ mindset. What possibilities and solutions exist that have yet to be explored? Is there a way we can bridge our differences? Is there a middle ground?”
Out of this series, the idea was born to create an ‘Art Inspired’ Salon, bringing people together to “think about positive actions we can take in our lives to create the world we want.” She holds the event at her studio, where attendees come together to enjoy bites, beverages and conversation, study the series on display and discuss their findings.
“I believe that if we stay optimistic that positive change is possible, we will be more motivated to take personal action, both small and large, to make the world a more compassionate and kinder place.”
Sandy has now held four ‘Art Inspired’ salons, which debuted at the last Open Studios. Her next one will be on February 3, showcasing the ‘AND’ series, and YOU are invited! “It will be an engaging evening of artful conversation and meaningful connection… with delicious appetizers, wine and non-alcoholic mocktails.” Tickets are $40 in advance, AND she is offering a special price for the Discover HER tribe: a whole 50% off the ticket price! Just use the promo code: DISCOVERHER50.
She says, “The time has come for feminine leadership to rise and heal our country and world.” Thanks, Sandy! We look forward to joining in the discussion.
Current and Upcoming Events
October 1, 2017 – September 30, 2018
Resilient and Revived, from the Black Heart Sculpture Series
Santa Cruz Museum of Art and History
The Chamber of Heart and Mystery Exhibit
January 5 – February 4, 2018
Spoken/Unspoken Juried Exhibit
Santa Cruz Art League
Reception: February 2, First Friday, 6:00-8:00pm
February 8 – March 17, 2018
Here is an article from Modern Magazine highlighting Albert Frey, famous Palm Springs architect. He is responsible for the midcentury buildings that my second home is so famous for. I can’t wait to see the show.
EXHIBITION Design In Step By JENNY FLORENCE | December 11, 2017
History is full of duos known for the fruits of their collaborative efforts: companions in work and life, such as the Eameses, the Days, the Vignellis, the Knolls; or close colleagues such as Philip Johnson and Alfred Barr, whose productive alliance set the course for American modernism. But on what grounds could you explore a pas de deux whose partners never met? Why, if they danced the same steps.
Albert Frey and Lina Bo Bardi: A Search for Living Architecture, on view at the Palm Springs Art Museum through January 7, 2018, pairs these two mid-century architects and draws important commonalities across, and despite, the continents that separated them. Both emigrated from Europe—Frey left his native Switzerland for the United States in 1930, Bo Bardi left Italy for Brazil in 1946—and became known for the work they realized in their adoptive countries. More significantly, they shared a belief that architecture should harmoniously integrate its environmental and cultural contexts. This conviction was elucidated as it developed in the architects’ own publications (beginning with Frey’s 1939 In Search of a Living Architecture, which Bo Bardi, as an editor at Domus, later translated for the magazine), and the exhibition probes it by focusing primarily on two of each of their residential designs: Frey’s in Palm Springs, California, and Long Island, New York, and Bo Bardi’s in São Paulo, Brazil.
COURTESY OF MODERNISM WEEK/DAVID A. LEE PHOTO
Through photographs, drawings, models, and objects, the exhibition illustrates the extraordinary results: on its perch high in the San Jacinto Mountains stands Frey’s second house in Palm Springs (known as Frey House II and today owned and stewarded by PSAM), a pavilion of glass, corrugated metal, and poured concrete the color of the rocky hillside. A massive boulder penetrates the building and anchors it to the slope, and expansive curtain walls overlook Palm Springs and, beyond it, the Colorado Desert. About six thousand miles southeast, on the edge of an evergreen forest in the Morumbi subdivision of São Paulo, sits Bo Bardi’s Cirell House. Here, an open, double-height interior is enclosed by masonry walls encrusted with pebbles, clusters of tile fragments glazed in soft blue, yellow, and pink, and sprouting plants. A veranda with rough-hewn wood columns and a Spanish-style tile roof encircles the building, which is decidedly modern, but dissolves into its verdant surroundings like an ancient dwelling reclaimed by the jungle. psmuseum.org
RELATED ITEMSEXHIBITIONFORM & FUNCTIONPALM SPRINGSPALM SPRINGS ART MUSEUM
I will be showing my art quilts on the first floor of the Santa Cruz County Government Building, 701 Ocean St. May to July. First Friday Reception will be Friday, June 1.
The Amazing Story of FabMo: How Two Dedicated People Can Make a Big Difference
Posted on October 13, 2017 by ANYTexture https://www.anytexture.com/2017/10/the-amazing-story-of-fabmo-how-two-dedicated-people-can-help-the-world/
Exactly two years ago I came home with a small stash of beautiful upholstery fabric samples. Little did I know how quickly and profoundly these textiles would change my life! Today I want to tell the amazing story of FabMo, the non-profit organization where I acquired those samples, and the inspiring story of it’s two co-founders, Hannah and Jonathan Cranch.
Hannah and Jonathan Cranch
How It All Started
A couple of decades ago Hannah and Jonathan Cranch were ordinary people going about their own business. Hannah taught art in Palo Alto primary schools, while Jonathan was a general contractor. They occasionally enjoyed attending seasonal open houses at the Design Center in San Francisco, seeing what was new in the design world. They both enjoyed the refreshments, browsing the beautiful displays and chatting with the salespeople
One day, during one such visit, they saw a man toss a big trash bag into the dumpster. The bag tore open, spilling out a bunch of gorgeous fabrics. It turned out that in preparation for the open houses, the showrooms had to make room for newly released fabrics, which meant getting rid of all the discontinued textiles. These exquisite, expensive designer fabrics, which were displayed but never used, were thus headed for the landfill.
Hannah, as an art teacher, knew her fellow teachers would salivate over such a treasure, so she began the quest to save these resources. She visited showrooms and spoke with key people, asking for some fabrics, and they gradually agreed to give her some. Each time, she returned home with a bag or two full of lustrous samples, which she distributed to Palo Alto teachers.
As she gradually built relationships, the amount of material she acquired began to grow. Soon, she and Jonathan started supplying five school districts, and passed some fabrics on to the Children’s Theater, as well.
When Things Got More Serious
Hannah later learned that someone named Steve was visiting the showrooms every Monday to collect discontinued fabric samples, which were then picked up by a charitable organization run by a group of nuns. One day the charity did not come by to pick up, and so showroom workers asked Hannah, who was fortuitously at the Design Center at that moment, whether she wanted the fabrics. She certainly did! As it turned out, the charity never came back, and Hannah began a weekly pickup from then on. With the sudden increase in quantity, the picture changed dramatically.
At essentially the same time, in summer 2007, Palo Alto schools closed for the summer. Hannah and Jonathan were unable to distribute the growing amounts of fabrics they were collecting. They published notices on Freecycle, Craigslist and other online venues, and began compiling an email list of interested people. Soon after, they set up five tables in their living room, filled them up with materials, and invited these interested fabric-lovers to come over and pick whatever they wanted. Before long this became a recurring event.
Originally, Hannah and Jonathan distributed the materials they gathered. They were the ones deciding what resources to give each school/theater. Once they allowed people to come over to their house and pick on their own, however, they could no longer think of it as “distribution.” They decided to call these “selection events” instead, since patrons got to choose their own treasures.
At first, their living-room events lasted two days. As the amount of fabrics kept growing, they were extended to three. Soon, the living room wasn’t big enough for everything. Hannah and Jonathan set up yet more tables in their family room.
But the rescued samples kept accumulating. In no time they filled one spare bedroom, then another, until all the bedrooms in the house were full of textiles and other materials.
Hannah and Jonathan began holding regular selection events, timing them to open up a guest room as needed.
Their email list, initially limited to about thirty people, kept growing. Before long, some one hundred and seventy people came by every month. Some were hesitant to enter a private house. Others, however, came regularly. Some of the latter offered to help pay for the gas for Hannah’s collection trips to SF, so Hannah and Jonathan put up a donation box to help finance their drives. Then someone offered to help take care of welcoming guests. One day, when Hannah, who was also co-owner of a catering business, was too busy with an event, Jonathan took that woman up on her offer. From then on the Cranches relied more and more on volunteers to help them with the many tasks of gathering, sorting and distributing. They started documenting who came to their house, and, in order to limit crowding, began setting appointments.
How FabMo Was Born
In 2009, after years of making fabrics available from their private house, Jonathan learned that their home insurance would not cover such large gatherings. Although the Cranches distributed everything for free, the insurance considered what they were doing as a business. So they found a small shared space in Palo Alto where they could hold Selection Events, but which had very little room for storage.
Six months later they moved to a bigger warehouse on Old Middlefield Road. Later they added another warehouse.
That same year FabMo was born as a public benefit corporation, and in 2010 was granted 501(c)(3) status. FabMo was now officially a non-profit organization! The name FabMo is short for Fabrics and More, as by then the Cranches rescued many different materials. In addition to fabrics, they also saved wallpapers, trims, tiles, leather, carpets and so on.
Since then, FabMo’s activities have continued to expand. Nine years ago, a regular attendee suggested creating an event for people to showcase items they created with FabMo materials, so as to inspire others. That’s how the Holiday Boutique came about. In 2015 FabMo moved into their current location in Mountain View. They regularly hold monthly three-day Selection Events, as well as 8-10 Special Sales a year.
In 2014 FabMo started holding regular events in Santa Cruz as well, with an active volunteer and consumer base there. They also hold Selection Events in Vallejo, as well as in different Bay Area Tech Shops. FabMo has a regular presence in at least four fairs every year (MakersFaire, San Mateo County Fair, and two Earth Day Fairs).
These days, FabMo rescues more than 70 tons of materials every year from Design Centers in San Francisco and San Jose, and from other miscellaneous sources. They make these amazing resources available to creative souls all over the Bay Area and beyond. More than 8,500 people are signed up to their mailing list, with about 300 coming to collect treasures during each Selection Event. Hannah and Jonathan continue to be very involved with the organization relying on an active Board, a growing family of several hundred volunteers, and textile aficionados, who, like themselves, appreciate the creative and environmental impact of this amazing endeavor. People come from Hawaii, the Pacific Northwest, Michigan and beyond to attend, determining their own schedule based on FabMo’s.
To this day, FabMo distributes fabrics for a suggested donation. It trusts patrons to give what they can to help keep the project running. Costs of maintaining such a business in the Bay Area are sky-high, as are utilities and fuel. Teachers still receive many of the materials for free. FabMo only sells Special Sale materials, but even then for low prices.
Hannah and Jonathan didn’t plan any of this. They simply couldn’t stand to see fabulous textiles thrown away and wasted, and before they knew it, FabMo had appeared. What started as a small project of love run by two individuals, turned into a collaborative effort of a creative, eco-friendly community, a family of sorts. But it still remains a not-for-profit project of love.
FabMo’s dedication continues to keep tons of precious resources out of the landfill. It also progressively builds an entire community of like-minded people who care about the environment. Likewise, it encourages the creativity of numerous others. The Cranches certainly changed my life, re-sparking my own long-suppressed creativity.
Now, people from all over the United States are starting to ask how to establish similar organizations. The Cranches even received a few inquiries from overseas. Imagine how many resources could be rescued if every community had a FabMo! Imagine all the creative things people could come up with!
To learn more about FabMo or sign up to their mailing list check out their web page: http://www.fabmo.org/fabmo/Home.htlmYou can also like their Facebook page: https://www.facebook.com/FabMo.
Upcoming Events for Ann Baldwin May Art Quilts
First Fridays Art Walk– Friday, December 1, Santa Cruz Art Center, 1001 Center St. #4, 5-9pm. Featuring artful pillow cases, whimsical lap quilts, small wall art from $20. as well as larger wall art.
Last few days -Abrazos del Alma-Hugs from the Heart, Mexican inspired art quilts at the Mountain View Performing Arts Center Lobby, closes December 5, 2017.
Participation in the Food Lounge’s Holiday Artisan Food & Gift Market,Saturday, Dec. 9 10 AM – 4PM colorful lap quilts, artful pillow cases, small wall art hanging as well as larger wall art.
Santa Cruz Art Center, 1001 Center St. Santa Cruz
EVENT LINK: https://www.facebook.com/events/377088069393759/
Gayle’s Bakery 504 Bay St. in Capitola will be displaying my small art quilts in the back room from the beginning of December to the end of January.
Ann Baldwin May Art Quilts will be participating with colorful lap quilts, artful pillow cases,small wall art hanging as well as larger art.
IT IS SOMEWHAT UNUSUAL TO HAVE A loom in the dining room, even among professional weavers. But that is what you’ll find when visiting Scott Bodenner in his apartment, located just across from the Brooklyn Museum. Constantly in use, either by Bodenner himself or his assistant, Rachel Bordeleau, the loom is a dobby-type with twenty-four harnesses. It is not ideal for producing large quantities, but that’s not what it’s for. It is a prototyping machine. On this loom, Bodenner tries out new ideas, experiments constantly, and, finally, creates samples that are sent to prospective clients and ultimately to textile mills. From his dining room unspool hundreds of yards of cloth to locations far-flung, and sometimes unknown.
Bodenner’s craft-based approach makes him an unusual figure in contemporary textile design, which is now al most entirely conducted at computer screens. It’s not that the digital revolution has left him behind—he is plenty adept with the relevant software—but rather that he prefers to work with materials directly. This sensibility places him in a lineage of American studio weavers going back to the mid-century era, names like Dorothy Liebes and Jack Lenor Larsen. Like those influential figures, he is constantly on the lookout for the advantages of hand-craftsmanship. Among these is the fact that he can use materials that are far outside the ordinary. Liebes pioneered the use of metallic synthetics like Lurex; Bodenner, too, incorporates unconventional yarns in his work, to still more unconventional effect.
A great example is a fabric called Moon Light. Bodenner has loved things that glow in the dark since childhood, and this cloth does just that. By day, it is beautiful and delicate. By night it makes you feel as if you are in a particularly luxurious cabin on the USS Enterprise. Because the warp of a fabric must be held in tension on the loom, Bodenner often uses a standard yarn in that direction, adding his eccentric touches in the weft. Moon Light is composed of a fine Italian linen warp, with a weft yarn made of intertwined linen and thinly slit, luminescent polyester film. The polyester is treated with strontium aluminate, so that it absorbs light and then emits it in the dark.
An even more unusual fabric in the new collection is Mix Tape, which is what it sounds like it might be: a cloth made partly from recycled audiotape. Like everyone who grew up in the 1980s, Bodenner has owned plenty of personalized cassettes—each one a precious record of a moment in time, perhaps the vestige of a friendship or romance. Now that technology has rendered these little time capsules obsolescent, he would put them to a different use, and many of his acquaintances have duly presented him with boxes of old mixtapes for him to weave. He also offers clients the opportunity to have a fabric custom-made “to memorialize a special recording,” a good example of the opportunities afforded by Bodenner’s hand-craftsmanship.
From Modern Magazine, edited for space
The moment I handed my painter the color chart for this powder room, he told me and my client, ‘there must be a mistake, cabinets are always white!’.
My client had confidence in the plan, so we stayed the course and she and her guests still enjoy this room saturated in a rich color and dramatic design.
Need helping breaking with tradition in your house? Here are a few things you can do:
1. Paint your moulding to define your space strategically. Consider painting architectural elements to match your walls for a clean confident look, or for great entertaining, use a gorgeous paint color only for the elements that will add direction and flow through your house. In this we did both.
2. Whether you have low or vaulted ceilings, this ‘wall’ is your best opportunity to create ambiance and style for your room. Paint it to match the walls for a clean canvas to decorate as you wish. Or choose a spacious atmosphere color to give your space a more roomy feel. Of course, you can always add drama with wallpaper, a bold paint color, or unique design.
3. Adding contrast brings life and personality to your home. No matter how neutral or monochromatic (using variations of one color) you want your home to look, you must add contrast in terms of color, texture, and scale to a space to make it feel polished and inviting. Consider a bright color sofa against a white wall, or big artwork with complementary colors (opposites on the color wheel) to the wall.
Copyright © 2017 Plein Heir by Shannon Kaye, All rights reserved.
Our mailing address is:
Plein Heir by Shannon Kaye
2241 Quesada Avenue
San Francisco, CA 94124
Ongoing- First Fridays of each month my studio is open in the Santa Cruz Art Center, 1001 Center St. Downtown Santa Cruz 5-9 pm Many other venues in the Art Center also are open and showing art. This month featuring the Table of Inspiration for the makers. Come find inspiration in antique lace, molas, fabric, books and more.
Mountain View Performing Arts Center, October 3-December 4,2017
Mexican inspired art quilts
Reception-Friday, November 17, 7-9 pm Rotunda Mountain View City Hall
small underwater fantasies and abstracts on display in cases